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Every breath has a rhythm comprising four phases or movements. When these are controlled, or performed attentively as in pranayama practice, they are referred to by these terms: Puraka – inhalation Rechaka – exhalation Kumbaka – retention Antara (purna) kumbaka – interior (full) retention Bahya (shunya) kumbaka – external (empty) retention In normal breathing, and in breath observation, the "retention" phase is simply a pause as the breath’s direction changes, not an actual holding of the breath. In pranayama practice, the normal pauses are elongated. History and Uses of Pranayama Vedic period (1500 BC and previously): Breath retention associated with mantra repetition in ritual, and with mental concentration on divine image Puranic period (500 BC – 800 AD): Mention of time-ratios between phases and discussion of how to measure the matra or time-unit to arrive at a desirable ratio (there being no clocks or yoga timers at that point!) Patanjali Yoga-sutras (ca. 300 BC?) and commentators: Pranayama presented as a simple psycho-physiological practice, distinct from any religious element, used for the purpose of quieting the breath and stilling the mind. Also, presented as a doorway to the withdrawal of the senses in preparation for mediation, and as the fourth limb of yoga. (See Yoga Sutras I.31, 34, II.49-II.53) Hatha yoga tradition (ca. 1000 AD-1700 AD): Breathing harnessed for its physiological and psychological benefits; development of breathing techniques, with emphasis on inner retention. In this period additional techniques such as bandhas develop as ways to fine-tune the breath and strengthen inner retention
Breath and Mind Sagarbha pranayama – pranayama with inner content, i.e., combined with repetition of a mantra, visualization of a deity, or some other religious or ritual content Agarbha pranayama – without inner content; emphasis on technical aspects of inhalation, exhalation, retentions, time duration, focus on sensations arising in various places in the body, and total duration of practice. Mental attention and its quality are important aspects of this practice.
The difference between the two lies in where the mind’s activity is focused
– on the breath and related sensations, or on a devotional object. Middle
ground: using mantra as a time measure (as in Eastern breath prayer). |
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